interesting!
this is all totally esoteric to me though, could you give a short explanation of what you are doing here please?

Hi,
ill try to keep it short.
-what you see is Reaper & extension (Lua)... called LBX-Stripper...
-you can create kind a control surface with it..via collecting/ inserting the parameters from the vsts & vstis into Stripper...and tweak dozens of them take snapshot and recall anytime you need by one click..
this is the main-core part of this setup.
...
second important part is NewSonicArts Freestyle ..
shortly: freestyle gives a workaround to pass 16 program limit of uTonic.
how?
Freestyle Snapshot system
(just in case this is not the LBX-Stripper's Snapshot system)
saves and recalls whole uTonic preset instantly...
all 23 Freestyle has one uTonic and 128(max) snapshots (uTonic presets actually) inside..
so 23 x 128 presets ready to use all the time!
that 23 green buttons at left are Bypass parameters of the Freestyles ..

......
in order left to right:
green buttons = bypass / active
grey knob = Midi Program Change, switches Freestyle snapshots so the uTonic presets
green monitor buttons 1 to 8 mute/on/solo (Status) for the 8 audio outputs of per instance
and pans, gains so on...
what the setup does?
its allows me to make a new combinations by mixing uTonic presets & channels via using Stripper's Randomize function.
plus there is a simple 8 channels FX send matrix to send channels to Fxes randomly or manually..

sounds a bit complicated i know..
but i hope make sense.

EDIT:
this is one of the early tests of same setup ..
has less parameters and might give you better idea

Hello,
here is a 4 parts mini jam made using the PO32 among other small things...
cheers

sets by brocken_spectrumpocket-jam-10bit

Hey you all,

Here is a new jam caught on tape for more pleasure ^^

I rarely find the time to finish songs any more but here is one that I finished recently.

omicron-5 by malstrom

The lead is something of a Mike Oldfield pastiche. Lots of notes with some over-the-top bombastic synths and effects to go with that. I don't know what it is exactly. It's not techno anyhow.

- timbralzoom wrote:
Hi,
all sounds comes from MT3 nothing extra (except reverb & delay comp. etc. fxes.)
trying to create kind a random groove generator
via mixing randomly MT3 presets and channels in hand made matrix ..
not bad i guess :)
i am still wishing an extensive preset manager with
Midi Bank MSB LSB & Program Change support
something like UHE MFM2 has.. which is great imho.
anyway..
hope you like it.

Big fan of Sonic Charge and Reaper here. This MT / LBX Stripper combo blew my mind! Amazing work!!!

Thank you Hristo :)

Hi all - been using a lot of MT & permut8 on my new EP.
This track (UnN) is a live audiomulch jam with MIDI generative sequencers sending out a note sequence to an instance of u-he ACE for the synth line but then converting those notes to program changes for both MT plus 2 instances of permut8 (one for MT, one for ACE). I messed with the MT script functions live as I went and did a bit of permut8 random button mashing. Did two takes and then edited them together and shortened it all. Great fun!
Got myself a PO-32 now so I'm going to start experimenting with that now too...

https://sanjuro77.bandcamp.com/album/ghost-cell-iii

Release blurb: The latest in the now annual ghost cell series. Improvised laptop jams from 2016-2017, all based on various generative techniques, all one take performances. Minimal editing (normally only for length).

Hope you enjoy!

where-do-we-belong by jethrobull

This is a track using only SonicCharge plugins soniccharge.com/ and the beautiful Cellspace soundbanks from Ghostwave Audio ghostwaveaudio.com/products.php.
Hope you enjoy.

Trying out some new sounds.

chroma-key-cruisin by malstrom

I made a Blade Runner inspired track, not 100% Sonic Charge but all synths sounds (and the watery effect) are from my loved one, the unique and greatest : Synplant

concours-jvc-50-drone-runner by randomesound

It is not often I get around to complete songs these days and feel happy about them, but here is one.

helios-descendants by malstrom

100% our plugins except eq, compression etc that are native Ableton.

This is great! I hear elements of Lorn in there. :)

Thanks. I am a big Lorn fan so that wouldn't be entirely unexpected.

nomerer by miusiq

synplant and microtonic demo versions only

need help on the mixing

These whole tracks are not my genre, but still I kept on listening to some. Especially the last one: quite nice, haha. I like it when a total different genre, in which I have absolutely no listening experience, still gets me listening. Well done! (=

_- Manuel Senfft

thanks a lot for letting me know ;) microtonic is great for this type of sound

Not the genre which is posted here mainly, but maybe you will still enjoy!? (=

It's some kind of "hybrid score" sound where I mixed many synth elements with strings and brass. The percussive elements are all Microtonic. It is so much fun working with Microtonic in such a context!

Listen here: https://werke.tagirijus.de/audio/2021/manuel_senfft_-_shining_dystopia.mp3

Have fun! (=

Nice sounds. Do you make TV or film scores?  🙂

I scored some indie movie productions years ago. At the moment I mainly produce production music or music and sounds for some other indie projects (radio play, computer game).

Glad you liked it! (=

Allmost all drums in my releases are from Microtonic. This track is from a recent EP:

sleepless-lucid-mix by sequentek

Main Drums: Microtonic
Second Drums: Pocket Operator PO-12

- Magnus Lidström wrote:
It is not often I get around to complete songs these days and feel happy about them, but here is one.
helios-descendants by malstrom
100% our plugins except eq, compression etc that are native Ableton.

my favorite track, thanks for sharing ♥

My latest album is using Microtonic soley for the drums. All the Synth parts is the Korg Minilogue XD

https://escapefromplanetepoch.bandcamp.com/album/microtime

PO20 and Microtonic

I like this track. I quickly listened to short parts of your other tracks; I like the tune! (=

- Manuel Senfft wrote:
I like this track. I quickly listened to short parts of your other tracks; I like the tune! (=

Thank you Manuel, much appreciated :)

- Manuel Senfft wrote:
Not the genre which is posted here mainly, but maybe you will still enjoy!? (=
It's some kind of "hybrid score" sound where I mixed many synth elements with strings and brass. The percussive elements are all Microtonic. It is so much fun working with Microtonic in such a context!
Listen here: https://werke.tagirijus.de/audio/2021/manuel_senfft_-_shining_dystopia.mp3
Have fun! (=

Very nice Manuel :)

Thanks. (-;

My first loop...

Mix here:
https://rmmedia.ru/threads/146009/

hi...
I used all plugins Sonic Charge.
intothefire?si=91bfe2b2e15a42d1967c301a681c67f3 by brunburn

- Brufranco3 wrote:
hi...
I used all plugins Sonic Charge.
intothefire?si=91bfe2b2e15a42d1967c301a681c67f3 by brunburn

🔥🔥🔥

zvezde-feat-yaran?si=e79eb226c5fc43d5b62144b7c1e0de24 by badlori

All drums except the orchestral bass drum layer and Amen Break are Microtonic :)

jalex-mixpreview by jalexname

jalex-mixtape-part-2-new-songs by jalexname

somewhere around 80 percent of the composition contains echobods and microtonic

- Ploki wrote:
All drums except the orchestral bass drum layer and Amen Break are Microtonic :)

Liked it! Sounded a bit unconventional to me, which I find good. (=

- Alexey Sobolev wrote:
somewhere around 80 percent of the composition contains echobods and microtonic

Have to admit that I just skipped through some tracks. What I could hear was quite interesting. Rather experimental and I liked it, hehe. Nice a punchy mixes. (=

- Manuel Senfft wrote:

- Alexey Sobolev wrote:
somewhere around 80 percent of the composition contains echobods and microtonic

Have to admit that I just skipped through some tracks. What I could hear was quite interesting. Rather experimental and I liked it, hehe. Nice a punchy mixes. (=

Thank you!

nin-nine-inch-nails-right-where-it-belongs-cover?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing by veganpete334a

One of the default drum presets which ships with Microtonic - I threw a synth pad, a 303,a capella and a breakbeat over it. Needs mixing/mastering. The original backing track is a tape recording which I made with "Music" on the Playstation 1.

TIA for the listen:
Two weird new tracks, non-pop:

https://open.spotify.com/album/451lSZBA6hXCIx2edC0BWf?si=phQzF61CT4K0-O78jlUsgw

https://open.spotify.com/album/5qv13L6tBCvqig3tSirLID?si=8uCHBHk6QR67IzQuPuPm0A

These 2 tracks are 100% Synplant 2 (Specifically the new Pro Expansion sound pack). Hope you like! :)

Back with another track, created and crafted with the outstandingly fantastic sounding Sonic Charge plugins soniccharge.com/
All sounds and FX were created with Synplant 2, Microtonic, Echobode and Permut8.
Using the all new, SynplantFX plugin for reverb and various other, mend bending sounds!
(The Obvious vocal samples, were 𝘯𝘰𝘵 created with the software :hihi:)

genetic-code by jethrobull

A couple of Synplant patches controlled by my app AUMI:

I've also made some layouts for my Erae2 controller that let me use a bunch of virtual sliders and keys to run Synplant with a lot of interactive control (including pressure).

I use a lot of Synplant in my music.
Mainly to imitate the timbres of acoustic instruments, but making them sound a bit stranger.

la-copule-intesa by matthieu-guillin

la-copule-deploration by matthieu-guillin

Just listened to both Henry Lowengard's and Mathieu Guillin's music. Both are completely different and incredible. (I confess to using Synplant in a very conventional way myself. So I am in awe of both of these posts for different reasons.) Synplant seems like a perfect complement to AUMI as a way to engage people who would otherwise not be able to participate in music creation, improvisation or sound design. Mathieu's music is a natural for cinematic style soundscapes. Disturbing and incredible/inspiring all at once. Kudo's to you both. Thanks for sharing.

- AAV wrote:
Just listened to both Henry Lowengard's and Mathieu Guillin's music. Both are completely different and incredible. (I confess to using Synplant in a very conventional way myself. So I am in awe of both of these posts for different reasons.) Synplant seems like a perfect complement to AUMI as a way to engage people who would otherwise not be able to participate in music creation, improvisation or sound design. Mathieu's music is a natural for cinematic style soundscapes. Disturbing and incredible/inspiring all at once. Kudo's to you both. Thanks for sharing.

Thanks, that makes me happy!
I use Synplant to get sounds/timbre I can't find anywhere else; otherwise, my compositional technique is pretty traditional, somewhere between instrumental and concrete music.

- AAV wrote:
Just listened to both Henry Lowengard's and Mathieu Guillin's music. Both are completely different and incredible. (I confess to using Synplant in a very conventional way myself. So I am in awe of both of these posts for different reasons.) Synplant seems like a perfect complement to AUMI as a way to engage people who would otherwise not be able to participate in music creation, improvisation or sound design.

Thanks! And remember: AUMI is free! There are so many situations where people who think they cannot play together and listen to each other can use it to change their minds!

I always also like to plug Musikraken, another motion tracking (and other kinds of tracking) app that is actually a real live plugin, so it integrates into multiplatform music ecosystems. AUMI is less technical, but Musikraken is still pretty easy to use, and you can set up patches very straightforwardly. https://www.musikraken.com/

- matthieu guillin wrote:

- AAV wrote:
Just listened to both Henry Lowengard's and Mathieu Guillin's music. Both are completely different and incredible. (I confess to using Synplant in a very conventional way myself. So I am in awe of both of these posts for different reasons.) Synplant seems like a perfect complement to AUMI as a way to engage people who would otherwise not be able to participate in music creation, improvisation or sound design. Mathieu's music is a natural for cinematic style soundscapes. Disturbing and incredible/inspiring all at once. Kudo's to you both. Thanks for sharing.

Thanks, that makes me happy!
I use Synplant to get sounds/timbre I can't find anywhere else; otherwise, my compositional technique is pretty traditional, somewhere between instrumental and concrete music.

Pretty incredible (also at various times disturbing/surprising/surreal!) Mathieu. Nice work!

- Henry Lowengard wrote:

- AAV wrote:
Just listened to both Henry Lowengard's and Mathieu Guillin's music. Both are completely different and incredible. (I confess to using Synplant in a very conventional way myself. So I am in awe of both of these posts for different reasons.) Synplant seems like a perfect complement to AUMI as a way to engage people who would otherwise not be able to participate in music creation, improvisation or sound design.

Thanks! And remember: AUMI is free! There are so many situations where people who think they cannot play together and listen to each other can use it to change their minds!
I always also like to plug Musikraken, another motion tracking (and other kinds of tracking) app that is actually a real live plugin, so it integrates into multiplatform music ecosystems. AUMI is less technical, but Musikraken is still pretty easy to use, and you can set up patches very straightforwardly. https://www.musikraken.com/

I checked out AUMI. Very impressive. But personally I am so ingrained in making music in a DAW environment and with a MIDI keyboard controller - If AUMI were available as a VST I think I would be much more inclined to see what I could do with it. I thought I might give Musikraken (thanks for the link) a check using MIDI over USB via an Android tablet I don't use a lot these days. Food for thought in any case to both you and Mathieu for helping to stretch the bounds of what can be done with Synplant (which I love but am clearly underexploiting!) Cheers!

- AAV wrote:

- matthieu guillin wrote:

- AAV wrote:
Just listened to both Henry Lowengard's and Mathieu Guillin's music. Both are completely different and incredible. (I confess to using Synplant in a very conventional way myself. So I am in awe of both of these posts for different reasons.) Synplant seems like a perfect complement to AUMI as a way to engage people who would otherwise not be able to participate in music creation, improvisation or sound design. Mathieu's music is a natural for cinematic style soundscapes. Disturbing and incredible/inspiring all at once. Kudo's to you both. Thanks for sharing.

Thanks, that makes me happy!
I use Synplant to get sounds/timbre I can't find anywhere else; otherwise, my compositional technique is pretty traditional, somewhere between instrumental and concrete music.

Pretty incredible (also at various times disturbing/surprising/surreal!) Mathieu. Nice work!

Thank you so much, I’m really touched